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Mark Francis

Orange County Outlaws

Screenwriter: Comedy Feature
Writer
A man lacking in self-confidence to get into a premier law school buys a Harley Davidson and starts a motorcycle club to boost his self esteem.

D

irector Statement:

A true comedian’s alchemy is found in their ability to mine their own pain, shame, or fear and forge it into a shared laugh. *The Desk Files* is my attempt at that alchemy—an episodic satire born from creative isolation, professional absurdity, and the quiet panic of trying to do everything alone.

Shot on a phone, edited on a tablet, and performed in a green room that barely qualifies as a studio, this series is a love letter to the chaos of self-production. It’s also a protest—against the polished sheen of industry tropes, against the myth of the “serious artist,” and against the idea that comedy must be clean to be clever.

Each episode is a sketch, a confession, and a dare. I play every role, not out of ego, but necessity—and maybe a touch of creative stubbornness. Anton and Gustav aren’t just characters—they’re my inner voices, born from the frustration of being a #never_was. When they argue, it’s me arguing with myself: the part that wants structure versus the part that wants chaos, the editor versus the dreamer, the cynic versus the clown. They challenge each other, and in doing so, they challenge me. The desk itself is more metaphor than furniture.

I hope audiences laugh. I hope they wince. I hope they recognize a bit of their own chaos in mine.

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